{"id":99045,"date":"2013-09-09T01:19:00","date_gmt":"2013-09-09T01:19:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=99045"},"modified":"2013-09-09T01:19:00","modified_gmt":"2013-09-09T01:19:00","slug":"greaua-mostenire-a-borcanului-cu-miere","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=99045","title":{"rendered":"Greaua mo\u015ftenire a borcanului cu miere"},"content":{"rendered":"

\nDar a ap\u0103rut oroarea cu copilul omor\u00e2t de c\u00e2ini \u015fi ideea mea nu a mai avut niciun rost. Nu te po\u0163i bucura \u00eentr-o lume bolnav\u0103; po\u0163i, cel mult, s\u0103 te rogi s\u0103 nu-\u0163i pierzi uzul ra\u0163iunii, logica, bunul sim\u0163. \u015ei a\u015f vrea s\u0103 eviden\u0163iez o latur\u0103 grotesc\u0103 a pove\u015ftii, cea cu pasatul r\u0103spunderii.<\/p>\n

\nBenjamin Disraeli este o figur\u0103 ciudat\u0103 at\u00e2t \u00een r\u00e2ndul scriitorilor, c\u00e2t \u015fi al politicienilor – ast\u0103zi o s\u0103 ne ocup\u0103m de politic\u0103. \u00cel socot pe Disraeli cel mai onest politician al tuturor timpurilor, aceasta pentru c\u0103 \u00een 1868, la auzul ve\u015ftii c\u0103 va conduce guvernul britanic, a exclamat, suficient de tare \u00eenc\u00e2t istoria s\u0103 consemneze: \u201eUra! Ura! Am ajuns la borcanul cu miere!”. Nu am mai auzit sau v\u0103zut sau citit despre un politician care s\u0103 rezume esen\u0163a luptei politice a\u015fa de franc \u015fi nici nu cred c\u0103 a mai existat vreunul.<\/p>\n

\nTotu\u015fi, domnul Disraeli a fost un politician adev\u0103rat, pentru c\u0103 peste ceva vreme, c\u00e2nd a aflat c\u0103 va fi \u00eenlocuit de eternul s\u0103u rival Willian Gladstone, a scris ceva texte meditative pe marginea puterii, a responsabilit\u0103\u0163ii \u015fi a datoriei sacre a politicianului fa\u0163\u0103 de Dumnezeu \u015fi popor.  La fel de firesc, nu?<\/p>\n

\n\"\"<\/p>\n

\nPasarea r\u0103spunderii de care pomeneam nu este o noutate, ci \u0163ine de teme perene precum \u201egreaua mo\u015ftenire\u201e. De ani de zile, \u00eent\u00e2mpl\u0103-se orice, \u00een secunda trei apare c\u00e2te un ins care \u00ee\u015fi declin\u0103 responsabilitatea, blindat cu acte normative, decizii, hot\u0103r\u00e2ri sau pur \u015fi simplu tupeu. Dar pasarea r\u0103spunderii a devenit acum un spectacol grotesc, pentru c\u0103 se face m\u00e2rl\u0103ne\u015fte, f\u0103r\u0103 m\u0103car cuvenita elegan\u0163\u0103: disputele \u00eentre Palatul Victoria \u015fi Cotroceni, legate de privatizarea CFR Marf\u0103, de Ro\u015fia Montan\u0103 sau de gazele de \u015fist, promptitudinea cu care fo\u015fti primari ai Capitalei au solu\u0163ii de\u015fi nu au f\u0103cut mare lucru, graba cu care actualii pila\u0163i se spal\u0103 pe m\u00e2ni, to\u0163i nevinova\u0163ii ancheta\u0163i \u015fi care au r\u0103spuns la orice acuza\u0163ie. Se iau sau au fost luate decizii care, \u00een timp, s-ar putea dovedi nefaste pentru na\u0163ia aceasta am\u0103r\u00e2t\u0103, care ne-ar putea costa mult mai mult dec\u00e2t ni\u015fte bani. Cine va r\u0103spunde atunci \u015fi cu ce m\u0103sur\u0103? \u015eti\u0163i, dac\u0103 tot sparge\u0163i \u015fampanii c\u00e2nd ajunge\u0163i la borcanul cu miere, obi\u015fnui\u0163i-v\u0103 \u015fi cu gustul \u0163\u0103r\u00e2nii.<\/p>\n

\n\u201eAnschluss – Alice in Wonderland” este o pictur\u0103 semnat\u0103 de Oscar Kokoschka, pictor \u015fi scriitor austriac, reprezentant de seam\u0103 al curentului expresionist (\u015fi cred c\u0103 din punct de vedere economic tr\u0103im o perioad\u0103 expresionist\u0103, \u00een care emo\u0163iile influen\u0163eaz\u0103 \u015fi modific\u0103 realitatea). A tr\u0103it o poveste de amor cu Alma Mahler, v\u0103duva compozitorului Gustav Mahler, poveste intens\u0103 \u015fi scurt\u0103, \u00eentrerupt\u0103 de \u00eenrolarea artistului \u00een armata austriac\u0103, \u00een primul r\u0103zboi mondial. Este r\u0103nit \u00een Rusia \u015fi se \u00eentoarce acas\u0103, \u00een 1918, cu min\u0163ile relativ r\u0103t\u0103cite. \u00cen acest moment expresionismul din art\u0103 cap\u0103t\u0103 via\u0163\u0103: Kokoschka apeleaz\u0103 la serviciile unei creatoare de p\u0103pu\u015fi pentru a-i furniza o replic\u0103 a Almei, c\u00e2t mai exact\u0103 \u015fi cu detalii c\u00e2t se poate realiste. \u00cen \u015fase luni Hermine Moos, maestra p\u0103pu\u015f\u0103reas\u0103, \u00eei furnizeaz\u0103 rezultatul str\u0103daniei sale, o replic\u0103 a iubitei.<\/p>\n

\nOscar Kokoschka va imortaliza p\u0103pu\u015fa \u00een tablouri \u015fi va \u00eencerca s\u0103-\u015fi reg\u0103seasc\u0103 pasiunea, dar Alma cea din c\u00e2rpe \u015fi lemn \u00eel va dezam\u0103gi pe artist; \u00een scurt timp el realizeaz\u0103 triste\u0163ea demersului s\u0103u \u015fi renun\u0163\u0103 la surogatul de femeie: la cap\u0103tul unei be\u0163ii crunte, o duce \u00een gr\u0103din\u0103, cu alai, \u015fi \u00eei sf\u0103r\u00e2m\u0103 de cap o sticl\u0103 de vin ro\u015fu.<\/p>\n

\n\u201eAnschluss – Alice in Wonderland”are un mesaj politic evident, referindu-se la anexarea Austriei de c\u0103tre Germania lui Hitler. \u00cen timp ce Viena arde \u00een fl\u0103c\u0103ri, unii nu v\u0103d, nu aud sau nu vorbesc. \u00cen st\u00e2nga Fecioara cu un Prunc echipat cu masc\u0103 de gaze, iar \u00een dreapta o Austrie dezgolit\u0103, care \u00eendreapt\u0103 un deget c\u0103tre privitor: \u201e…\u015ftii, m\u00e2ine ai putea fi \u00een locul meu”.<\/p>\n","protected":false},"excerpt":{"rendered":"

Toamna a \u00eenceput imediat dup\u0103 concertul lui Roger Waters. Ini\u0163ial acest text trebuia s\u0103 fie o replic\u0103 ironic-amar\u0103 adresat\u0103 celor mul\u0163i care au \u0163inut mor\u0163i\u015f s\u0103 se asocieze cu numele fostului membru al Pink Floyd, scriind verzi \u015fi uscate, de cele mai multe ori inutil. \u015ei voiam s\u0103 le aduc aminte s\u0103 se bucure, pur \u015fi simplu, \u00eenainte de a fi c\u00e2rcota\u015fi.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[529],"tags":[8976,7236,29836,4895,4905],"class_list":["post-99045","post","type-post","status-publish","format-standard","hentry","category-opinii","tag-dorin-oancea","tag-editorial","tag-roger-waters","tag-schimbari","tag-toamna"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/99045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=99045"}],"version-history":[{"count":0,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/99045\/revisions"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=99045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=99045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=99045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}