{"id":58440,"date":"2012-11-04T14:35:00","date_gmt":"2012-11-04T14:35:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=58440"},"modified":"2026-04-03T09:11:00","modified_gmt":"2026-04-03T09:11:00","slug":"cum-ajung-ziarele-sa-se-transforme-in-obiecte-de-muzeu-galerie-foto","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=58440","title":{"rendered":"Cum ajung ziarele s\u0103 se transforme \u00een obiecte de muzeu (GALERIE FOTO)"},"content":{"rendered":"<p>Printre acestea se num\u0103r\u0103 &#8220;21 aprilie 1978&#8221; de Sarah Charlesworth, alc\u0103tuit\u0103 din 45 de pagini de gard\u0103 cu fotografia politicianului italian Aldo Moro, ucis \u00een 1978 de Brig\u0103zile Ro\u015fii, o lucrare a unui sculptor american const\u00e2nd din dou\u0103 pagini de ziar poleite cu aur de 24 de carate sau &#8220;Dali News&#8221;, un ziar realizat de Salvador Dali cu \u015ftiri despre sine. Una dintre lucr\u0103ri reprezint\u0103 un salam f\u0103cut \u00een 1961 de artistul neam\u0163 Dieter Roth dintr-un exemplar de Daily Mirror \u015fi intitulat &#8220;Literaturwurst&#8221;.<\/p>\n<p><a href=\"http:\/\/www.businessmagazin.ro\/galerie-foto\/arta-si-societate\/cum-ajung-ziarele-sa-se-transforme-in-obiecte-de-muzeu-galerie-foto-10274844\/slide-2\" target=\"_blank\"><span style=\"color: rgb(255, 0, 0);\"><span style=\"font-size: 1.5em;\"><strong><u>Cum ajung ziarele s\u0103 se transforme \u00een obiecte de muzeu (GALERIE FOTO)<\/u><\/strong><\/span><\/span><\/a><\/p>\n<p>Expozi\u0163ia va r\u0103m\u00e2ne deschis\u0103 p\u00e2n\u0103 la 27 ianuarie 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indiferent de con\u0163inutul paginilor lor, ziarele pot fi tratate ca opere de art\u0103, dup\u0103 cum o demonstreaz\u0103 o expozi\u0163ie deschis\u0103 la National Gallery of Art din Washington sub titlul &#8220;Shock of News&#8221;, ce prezint\u0103 lucr\u0103ri care au ca inspira\u0163ie ori ca material de lucru ziarele \u015fi fenomenul presei scrise pe parcursul ultimilor 100 de ani.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[586],"tags":[27641,5634,28134,7730,29792,9659,29791,7469,14378,10280],"class_list":["post-58440","post","type-post","status-publish","format-standard","hentry","category-arta-si-societate","tag-aldo-moro","tag-arta","tag-dali","tag-expozitie","tag-klee","tag-muzeu","tag-national-gallery-of-art","tag-presa","tag-washington","tag-ziare"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/58440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=58440"}],"version-history":[{"count":1,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/58440\/revisions"}],"predecessor-version":[{"id":74544,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/58440\/revisions\/74544"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=58440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=58440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=58440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}