{"id":57203,"date":"2012-08-20T08:00:00","date_gmt":"2012-08-20T08:00:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=57203"},"modified":"2026-04-03T08:37:28","modified_gmt":"2026-04-03T08:37:28","slug":"aceasta-tristete-care-ne-copleseste","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=57203","title":{"rendered":"Aceast\u0103 triste\u0163e care ne cople\u015fe\u015fte"},"content":{"rendered":"<p>Ideea cu pragul \u00eemi apar\u0163ine, dar chestiunea cu triste\u0163ea este serioas\u0103: un psiholog \u015fi un sociolog, Schellenberg \u015fi von Scheve, au f\u0103cut un studiu despre muzica pop a ultimilor 50 de ani \u015fi au descoperit c\u0103 hiturile din Top 40 au devenit din ce \u00een ce mai lungi, din ce \u00een ce mai lente \u015fi din ce \u00een ce mai triste. Versurile sunt din ce \u00een ce mai preocupate de sine, cu tente din ce \u00een ce mai negativiste, iar emo\u0163iile transmise devin tot mai ambigue.<\/p>\n<p>Cei doi au studiat hiturile ap\u0103rute din 1965, anul c\u00e2nd Stones au scris &#8220;Satisfaction&#8221;, p\u00e2n\u0103 \u00een 2009 \u015fi spun c\u0103 \u00een timp muzicienii au folosit tot mai mult modurile minore, pe care cei mai mul\u0163i ascult\u0103tori, inclusiv copiii, le asociaz\u0103 cu triste\u0163ea. Pentru amatorii de numere, \u00een a doua jum\u0103tate a anilor &#8217;60 85% din c\u00e2ntecele aflate \u00een top erau scrise \u00eentr-un mod major &#8211; vesele \u015fi antrenante, cam ca Macarale al fra\u0163ilor Grigoriu, \u00een timp ce \u00een 2005 &#8211; 2009 procentajul scade la 43,5%.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"http:\/\/storage0.dms.mpinteractiv.ro\/media\/401\/341\/5544\/9960167\/1\/bouts-177g.jpg?width=800&#038;height=600\" alt=\"\" \/><\/p>\n<p>\u015ei nu, nu este o consecin\u0163\u0103 a crizei, pentru c\u0103 \u00een cifre absolute cei din anii &#8217;90 erau tri\u015fti r\u0103u, mai r\u0103u dec\u00e2t \u00een prezent. Dat fiind c\u0103 Top 40 se bazeaz\u0103 pe preferin\u0163e, nu cred c\u0103 muzicienii au devenit mai tri\u015fti, ci, de fapt, gusturile publicului s-au modificat. Babyboom-erii, Genera\u0163ia X, Genera\u0163ia Y, Genera\u0163ia Internet sau Z sau cea mai recent\u0103, Genera\u0163ia conectat\u0103 sau AO (Always On), au devenit din ce \u00een ce mai triste. Cum triste\u0163ea este un sentiment complex, nu i-a\u015f da acestei schimb\u0103ri o conota\u0163ie negativ\u0103; s\u0103 spunem c\u0103 genera\u0163iile au devenit, \u00een timp, mai nuan\u0163ate \u015fi mai sofisticate.<\/p>\n<p>Tabloul s\u0103pt\u0103m\u00e2nii se leag\u0103 de triste\u0163e, este &#8220;Mater Dolorosa&#8221; pictat\u0103 de Dieric Bouts (1415 &#8211; 1475), un ins care este \u00eencadrat de speciali\u015fti \u00een ceva care se cheam\u0103 &#8220;primitivii flamanzii&#8221;, iar de nespeciali\u015ftii ca mine \u00een &#8220;arti\u015fti care v\u0103d \u015fi picteaz\u0103 emo\u0163iile&#8221;. Bouts a fost un maestru al emo\u0163iilor \u015fi al expresiilor, iar Madona al\u0103turat\u0103 nu face dec\u00e2t s\u0103 confirme aceasta. Cui \u00eei place \u00eei recomand \u015fi &#8220;Piet\u00e0 &#8221; de la Luvru sau &#8220;Capul Sf. Ioan Botez\u0103torul&#8221; de la Muzeul Na\u0163ional din Var\u015fovia.<\/p>\n<p>\u00centr-un excep\u0163ional articol despre modul \u00een care trebuie privit un tablou, profesorul \u015fi criticul de art\u0103 James Elkins deslu\u015fe\u015fte modul \u00een care triste\u0163ea poate fi receptat\u0103. Elkins a f\u0103cut o adev\u0103rat\u0103 pasiune pentru &#8220;Mater Dolorosa&#8221; a lui Bouts, un tablou care i-a f\u0103cut pe privitori, la r\u00e2ndul lor, s\u0103 l\u0103crimeze, iar articolul \u015fi c\u0103r\u0163ile lui Elkins sunt pe internet.A\u015fa c\u0103 n-ar mai fi multe de spus: dac\u0103 sunte\u0163i tri\u015fti, s\u0103 \u015fti\u0163i c\u0103 a\u015fa este \u015fi genera\u0163ia. Asculta\u0163i muzic\u0103 \u015fi privi\u0163i un tablou, pentru ca \u015fi genera\u0163iile urm\u0103toare s\u0103 poat\u0103 fi \u015fi ele, la r\u00e2ndul lor, triste.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201e(I can\u2019t get no) satisfaction&#8221;, c\u00e2ntecul celor de la Rolling Stones, pare s\u0103 fi devenit nu numai un hit, ci \u015fi c\u00e2ntecul care marcheaz\u0103 un soi de prag, dup\u0103 care lumea a devenit mai trist\u0103.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[529],"tags":[29031,29030],"class_list":["post-57203","post","type-post","status-publish","format-standard","hentry","category-opinii","tag-cantec","tag-tristete"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/57203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=57203"}],"version-history":[{"count":1,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/57203\/revisions"}],"predecessor-version":[{"id":73449,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/57203\/revisions\/73449"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=57203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=57203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=57203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}