{"id":54080,"date":"2012-03-05T07:00:00","date_gmt":"2012-03-05T07:00:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=54080"},"modified":"2026-04-03T07:13:24","modified_gmt":"2026-04-03T07:13:24","slug":"mandria-de-a-fi-roman-tragedie-in-patru-acte","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=54080","title":{"rendered":"M\u00e2ndria de a fi rom\u00e2n, tragedie \u00een patru acte"},"content":{"rendered":"

\"\"<\/p>\n

\u00centr-o perioad\u0103 c\u00e2nd sentimentul de a fi rom\u00e2n este, cred, la cote destul de joase, sim\u0163im, pare-se, nevoia de a ne raporta la succesele oricui are o c\u00e2t de mic\u0103 leg\u0103tur\u0103 cu noi; ultima reu\u015fit\u0103 este a celor doi rom\u00e2ni care au creat o camer\u0103 video special\u0103, care a fost pomenit\u0103 la Oscar, dar premiat\u0103 cu dou\u0103 s\u0103pt\u0103m\u00e2ni \u00eenainte. Astfel de abord\u0103ri, interesante \u015fi generatoare de inspira\u0163ie \u00een anumite condi\u0163ii, au \u00eenceput s\u0103 m\u0103 oboseasc\u0103, pentru c\u0103 periodic descoperim de fapt aceia\u015fi \u015fi aceia\u015fi oameni. Nu \u00een\u0163eleg de ce unu, nu c\u0103ut\u0103m s\u0103 realiz\u0103m aici, \u00een Rom\u00e2nia, un loc cu care s\u0103 ne m\u00e2ndrim \u015fi la care s\u0103 se raporteze cei care au plecat \u015fi au reu\u015fit \u00een str\u0103in\u0103tate \u015fi doi, de ce nu ne raport\u0103m la valorile reale rom\u00e2ne\u015fti.<\/p>\n

C\u0103uta\u0163i pictura lui Victor Brauner \u015fi ve\u0163i descoperi un pictor excep\u0163ional, ale c\u0103rui opere sunt pl\u0103tite cu sute de mii \u015fi milioane de dolari la licita\u0163ii.\u015ei povestea picturii pe care o vede\u0163i, “Autoportret cu ochiul enucleat”, este excep\u0163ional\u0103, o m\u0103sur\u0103 a capacit\u0103\u0163ilor sale premonitorii; ve\u0163i vedea ce \u015fi cum.<\/p>\n

Victor Brauner s-a n\u0103scut la Piatra Neam\u0163, \u00een 1903. Este un avangardist care a cochetat intens cu suprareali\u015ftii \u015fi care a \u00eembinat imagina\u0163ia debordant\u0103 cu ocultul \u015fi simbolistica, fie \u015fi religioas\u0103, al\u0103turi de influen\u0163e folclorice. Ani de zile Rom\u00e2nia l-a ignorat \u015fi a\u015fa a r\u0103mas, chiar \u00eentr-o epoc\u0103 \u00een care recuperarea altor exila\u0163i, precum Cioran, Ionescu sau Eliade s-a f\u0103cut \u00eentr-un mod sistematic.<\/p>\n

S\u0103-l re\u0163inem pe Brauner drept un june febril, talentat, care studiaz\u0103 artele \u015fi se apropie de suprarealism, poate \u015fi din cauz\u0103 c\u0103 a crescut \u00eentr-o cas\u0103 \u00een care marea distrac\u0163ie erau \u015fedin\u0163ele de spiritism care umpleau nop\u0163ile.<\/p>\n

Actul unu. Pleac\u0103 la Paris \u00een 1930 \u015fi se ata\u015feaz\u0103 de Br\u00e2ncu\u015fi, omul care \u00eei pune \u00een m\u00e2n\u0103 un aparat de fotografiat, o unealt\u0103 capabil\u0103 s\u0103 re\u0163in\u0103 – spune sculptorul – insolitul. Brauner str\u0103bate bulevardul Montparnasse \u015fi fotografiaz\u0103 un cuplu de magicieni, spectatorii, \u00eemprejurimile. Ultima fotografie din set re\u0163ine o cas\u0103 – num\u0103rul este vizibil clar, este casa unde \u00ee\u015fi va pierde, peste ani, ochiul.<\/p>\n

Actul doi: \u00een 1931 \u00ee\u015fi picteaz\u0103 autoportretul; \u00eentr-un interviu televizat \u00ee\u015fi aminte\u015fte, \u00een 1960, c\u0103 se sim\u0163ea “vidat”. A decis s\u0103 \u00ee\u015fi fac\u0103 un autoportret minuscul, pe lemn, \u015fi, pentru a-l “anima pu\u0163in, pentru a-l face mai extravagant…am scos un ochi”.<\/p>\n

Actul trei: “Peisaj mediteranean”, pictat \u00een 1932, o compozi\u0163ie oniric\u0103 \u015fi violent\u0103, g\u0103zduie\u015fte \u00een prim-plan un chip care are \u00eenfipt \u00een orbit\u0103 un stilet pe care st\u0103 scris\u0103 litera D, ini\u0163iala celui care avea s\u0103-l loveasc\u0103 mai t\u00e2rziu.
\nActul patru: mutil\u0103ri apar \u00een tablouri din 1932 (“U\u015fa”), 1937 – “Moartea lunii”, “Adrianopole”, “Ultima c\u0103l\u0103torie”.<\/p>\n

Actul cinci: 28 august 1938, data mutil\u0103rii. Un cerc de prieteni \u015fi cuno\u015ftin\u0163e din boema Parisului, o ceart\u0103 \u00eentre doi spanioli foco\u015fi pentru o femeie, o \u00eenc\u0103ierare, un pahar masiv de vin care zboar\u0103, aruncat cu furie. Brauner se pr\u0103bu\u015fe\u015fte, prietenii \u00eel ajut\u0103 s\u0103 se ridice, pictorul \u00ee\u015fi z\u0103re\u015fte fa\u0163a desfigurat\u0103 \u00eentr-o oglind\u0103.<\/p>\n

Accidentul \u00eel transform\u0103 pe Brauner irevocabil; devine obsedat de fantastic, de vis \u015fi de mistic. C\u0103uta\u0163i excep\u0163ionala “Prelude to a civilization” din 1954, tablou aflat la Metropolitanul din New York \u015fi ve\u0163i \u00een\u0163elege \u015fi ve\u0163i mai c\u0103uta. Firesc, Brauner a oferit lumii spiritualitate rom\u00e2neasc\u0103 pur\u0103, tragic\u0103, misterioas\u0103.<\/p>\n","protected":false},"excerpt":{"rendered":"

Imaginea pe care o vede\u0163i poate fi \u015focant\u0103, \u00eenfior\u0103toare, cool, chiar dac\u0103 nu cred c\u0103 ar aduna prea multe \u201elike”-uri sau poate este de-a binelea na\u015fpa. Este crea\u0163ia unui ins cu care ar trebui s\u0103 ne m\u00e2ndrim, Victor Brauner.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[529],"tags":[8976,7236,87,13021],"class_list":["post-54080","post","type-post","status-publish","format-standard","hentry","category-opinii","tag-dorin-oancea","tag-editorial","tag-opinie","tag-roman"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/54080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54080"}],"version-history":[{"count":1,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/54080\/revisions"}],"predecessor-version":[{"id":70702,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/54080\/revisions\/70702"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}