{"id":4619,"date":"2006-06-06T12:24:00","date_gmt":"2006-06-06T12:24:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=4619"},"modified":"2026-04-02T08:46:36","modified_gmt":"2026-04-02T08:46:36","slug":"noutati-23","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=4619","title":{"rendered":"Noutati"},"content":{"rendered":"<p><SPAN class=text>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><STRONG>Clara si Claire<\/STRONG><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><?xml:namespace prefix = o ns = \"urn:schemas-microsoft-com:office:office\" \/><o:p>&nbsp;<\/o:p><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify>Noaptea este prostituata si raspunde la numele Clara, ziua isi zice Claire si e o fiinta retrasa care-si mascheaza fragilitatea citind. <?xml:namespace prefix = st1 ns = \"urn:schemas-microsoft-com:office:smarttags\" \/><st1:place w:st=\"on\">Cam<\/st1:place> acesta e personajul scindat, cu doua chipuri si directii de personalitate carora Catherine Locandro se straduie sa le surprinda nuantele psihologice si sa le confere consistenta si verosimilitate (\u0084Zilele mele erau negativul noptilor mele. Fara alcool, fara sex, fara barbati. Numai rigoarea cu care respectam<SPAN style=\"mso-spacerun: yes\">&nbsp; <\/SPAN>orarele pe care mi le fixasem lega cei doi versanti ai vietii mele\u0093). Se vor contopi finalmente cele doua fete intr-una singura? In urma unei experiente ciudate (intr-o noapte, un barbat o plateste nu pentru obisnuitele ei servicii erotice, ci pentru a-i citi, pur si simplu, o scrisoare), Clara se indragosteste si pare a da uitarii meseria pe care o practica de la varsta de 17 ani. Sau, cel putin, asa crede. <\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><o:p><EM>&nbsp;<\/EM><\/o:p><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><EM>Catherine Locandro, Clara Noaptea, <\/EM><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><EM>Editura Humanitas, Bucuresti, 2006<\/EM><\/P><\/SPAN><o:p><SPAN class=text>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><o:p>&nbsp;<\/o:p><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><STRONG>Iubire pana la moarte<\/STRONG><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><o:p>&nbsp;<\/o:p><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify>David Kepesh, protagonistul septuagenar al acestui roman al inepuizabilului Roth, produce o cugetare care rezuma perfect starea de spirit din care apar toate intelesurile acestei fictiuni: \u0084Am o erectie, deci exist\u0093. Preocupat de amor si traindu-i voluptuoasa povara cu intensitatea unui cantec de lebada, Kepesh, intelectual rasat, reinnoada un episod erotic frant cu opt ani inainte. Partenera de atunci, tanara cubaneza Consuelo Castillo il contacteaza in preajma noptii Mileniului, oferindu-i batranului \u0084satir\u0093 prilejul unor dizertatii ironice asupra conditiei sale de \u0084animal pe moarte\u0093, dar si asupra devastatei stari de sanatate a amantei sale. Moartea intrepatrunde viata la fiece pagina si stigmatizeaza pornirile spre extaz ale personajelor, intr-un ritm ale carui densitate si asurzitoare proliferare de sensuri au fost numite de critici \u0084Rock\u0092n Roth attitude\u0093.<\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><o:p><EM>&nbsp;<\/EM><\/o:p><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><EM>Philip Roth, Animal pe moarte, <\/EM><\/P>  <P class=MsoNormal style=\"MARGIN: 0cm 0cm 0pt\" align=justify><EM>Editura Polirom, <st1:City w:st=\"on\"><st1:place w:st=\"on\">Iasi<\/st1:place><\/st1:City>, 2006<\/EM><\/P><\/SPAN><\/o:p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clara si Claire &nbsp; Noaptea este prostituata si raspunde la numele Clara, ziua isi zice Claire si e o fiinta retrasa care-si mascheaza fragilitatea citind. Cam acesta e personajul scindat, cu doua chipuri si directii de personalitate carora Catherine Locandro se straduie sa le surprinda nuantele psihologice si sa le confere consistenta si verosimilitate (\u0084Zilele [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[586],"tags":[1630],"class_list":["post-4619","post","type-post","status-publish","format-standard","hentry","category-arta-si-societate","tag-noutati"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/4619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4619"}],"version-history":[{"count":1,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/4619\/revisions"}],"predecessor-version":[{"id":26044,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/4619\/revisions\/26044"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}