{"id":195570,"date":"2021-07-10T11:15:00","date_gmt":"2021-07-10T11:15:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=195570"},"modified":"2021-07-10T11:15:00","modified_gmt":"2021-07-10T11:15:00","slug":"povesti-despre-pandemie-privite-in-pandemie-cronica-de-film-to-the-lake","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=195570","title":{"rendered":"Pove\u015fti despre pandemie, privite \u00een pandemie. Cronic\u0103 de film: To the lake"},"content":{"rendered":"<p>\n<strong>Dup\u0103 aproape un an \u015fi jum\u0103tate de pandemie, pove\u015ftile apocaliptice din cinematografie nu mai par at\u00e2t de nerealiste ca \u00een trecut. Cum arat\u0103 \u00eens\u0103 o astfel de produc\u0163ie \u00een versiune ruseasc\u0103? R\u0103spunsul se afl\u0103 \u00een \u201eTo the lake\u201d.<\/strong><\/p>\n<hr \/>\n<div>\n<p>\n<span style=\"color:#ffffff\"><strong><span style=\"background-color:#000080\">To the lake<\/span><\/strong><\/span><\/p>\n<\/div>\n<p>\n<span style=\"color:#000080\"><strong>Regie: <\/strong>Pavel Kostomarov<\/span><\/p>\n<p>\n<span style=\"color:#000080\"><strong>Distribu\u0163ie: <\/strong>Kirill K\u00e4ro, Maryana Spivak, Eldar Kalimulin, Natalya Zemtsova, Viktoriya Isakova<\/span><\/p>\n<p>\n<span style=\"color:#000080\"><strong>Data lans\u0103rii: <\/strong>14 noiembrie 2019<\/span><\/p>\n<hr \/>\n<p>\nInspirat din best-sellerul scriitoarei \u015fi scenaristei ruse Yana Vagner, \u201eVongozero\u201d, lansat \u00een 2011 \u015fi tradus \u00een 11 limbi, \u201eTo the lake\u201d (Spre lac sau, \u00een varianta original\u0103, Epidemic), prezint\u0103 lupta pentru supravie\u0163uire a unui mic grup, \u00een momentul \u00een care Moscova este lovit\u0103 de un virus mortal, pentru care se g\u0103se\u015fte o singur\u0103 solu\u0163ie: eliminarea celor infecta\u0163i. Seria de 8 episoade a fost cump\u0103rat\u0103 ulterior lans\u0103rii de c\u0103tre Netflix, pentru suma de 1,5 milioane de dolari, potrivit publica\u0163iei ruse Kommersant. Este curios cum serialul a fost lansat \u00een noiembrie 2019, cu pu\u0163in timp \u00eenainte ca popula\u0163ia global\u0103 s\u0103 fie decimat\u0103 de pandemia de COVID-19 \u015fi, privit la acea vreme, ar fi p\u0103rut, pentru mul\u0163i, o pur\u0103 fantezie. Carantinarea ora\u015felor, punctele de control, stocurile epuizate pentru produse esen\u0163iale \u015fi transmiterea virusului cu o vitez\u0103 fulger\u0103toare de la om la om nu mai sunt \u00eens\u0103 no\u0163iuni str\u0103ine nim\u0103nui la momentul actual.<\/p>\n<p>\n\u201eTo the lake\u201d \u00eenf\u0103\u0163i\u015feaz\u0103 dezumanizarea pe care amenin\u0163area iminent\u0103 a mor\u0163ii o poate st\u00e2rni la scar\u0103 larg\u0103, chiar \u015fi \u00eempotriva celor mai neajutorate fiin\u0163e, fie ele str\u0103ini sau proprii p\u0103rin\u0163i. Este \u00eenf\u0103\u0163i\u015fat, \u00een scene s\u00e2ngeroase, modul \u00een care, la un moment dat ajungi, pentru a supravie\u0163ui, s\u0103 fii nevoit s\u0103 lup\u0163i, nu cu virusul, ci cu cei din jur. Ritmul alert \u00een care se desf\u0103\u015foar\u0103 ac\u0163iunea \u015fi suspansul \u00een crescendo sunt completate de atmosfera fatalist\u0103 \u015fi autenticitatea oferit\u0103 de limba rus\u0103 \u015fi de coloana sonor\u0103 care este, \u00eens\u0103, \u00een c\u00e2teva episoade, repetitiv\u0103 \u00een mod sup\u0103r\u0103tor. Ce am apreciat la aceast\u0103 serie este un element pe care l-am \u00eent\u00e2lnit \u00een special \u00een produc\u0163iile norvegiene sau ale altor popoare nordice: contopirea personajelor cu cenu\u015fiul peisajelor din jur \u015fi apropierea acestora de normal, asem\u0103narea cu oamenii obi\u015fnui\u0163i, pe care \u00eei vedem zi de zi \u00een jurul nostru. Acestea nu ies \u00een eviden\u0163\u0103 prin detalii stridente sau printr-o frumuse\u0163e ie\u015fit\u0103 din comun, cum \u00eent\u00e2lnim adesea \u00een filmele holywoodiene. Sunt, \u00eens\u0103, personaje puternic conturate prin prisma personalit\u0103\u0163ii, pe care actorii din \u201eTo the lake\u201d \u015fi-au \u00eensu\u015fit-o, \u00een mare parte, excelent. Pe Maryana Spivak, care o joac\u0103 pe Irina, unul dintre personajele principale, o vedem \u015fi \u00een filmul Loveless (2017), care a c\u00e2\u015ftigat o serie de premii la mai multe festivaluri, printre care \u201eCel mai bun film\u201d la London Film Festival.<\/p>\n<p>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/storage0.dms.mpinteractiv.ro\/media\/401\/341\/5552\/20132413\/3\/04.jpg?height=349&amp;width=620\" style=\"width: 620px;height: 349px\" \/><\/p>\n<p>\n\u00cen \u201eTo the lake\u201d vom reg\u0103si nenum\u0103rate elemente din cultura \u0163\u0103rii de origine, de la viciile binecunoscute \u015fi caracterul ne\u015flefuit, ba chiar brutal \u00een unele cazuri, al oamenilor, la elementele religioase care ne vor aminti de o Rusie ortodox\u0103 \u015fi de credin\u0163a la care chiar \u015fi cei mai \u00eenver\u015funa\u0163i apeleaz\u0103 c\u00e2nd nu mai v\u0103d nicio ie\u015fire spre liman. \u00cent\u00e2lnim, de-a lungul secven\u0163elor celor opt episoade, \u015fi un num\u0103r destul de mare de scene macabre, cu un nivel de violen\u0163\u0103 ridicat, care ne vor aminti de cruzimea din vremurile naziste. Sexualitatea este \u00eenf\u0103\u0163i\u015fat\u0103 f\u0103r\u0103 perdea, sub aspectul unor desc\u0103tu\u015f\u0103ri emo\u0163ionale, menite s\u0103 elibereze protagoni\u015ftii de curiozit\u0103\u0163i, frustr\u0103ri, vinov\u0103\u0163ie sau angoas\u0103.<\/p>\n<p>\nRitmul alert iese \u00eens\u0103 din tiparele cinematografiei ruse\u015fti, cum a fost definite de la Tarkovski p\u00e2n\u0103 \u00een urm\u0103 cu ceva ani. Spre exemplu, diferen\u0163ele sunt evidente atunci c\u00e2nd compar\u0103m \u201eTo the lake\u201d cu una dintre ultimele produc\u0163ii ruse\u015fti de succes, \u201eLeviathan\u201d. Acesta din urm\u0103 se inspir\u0103 clar din numele mari ale industriei de film ruse\u015fti, abuz\u00e2nd de cadrele lungi, statice, care \u00eendeamn\u0103 mai cur\u00e2nd la contemplare dec\u00e2t la ac\u0163iune.&nbsp;<\/p>\n<p>\nProduc\u0163ia nu este lipsit\u0103 de defecte, printre care se num\u0103r\u0103 o serie de cli\u015fee \u015fi scene improbabile, precum salv\u0103ri miraculoase de ultim moment, \u00eens\u0103, spre deosebire de alte filme sau seriale apocaliptice, nu sunt folosite efecte speciale \u015fi se p\u0103streaz\u0103 o doz\u0103 de plauzibilitate p\u00e2n\u0103 la final.<\/p>\n<p>\nSerialul se termin\u0103 \u00een plin suspans, l\u0103s\u00e2nd privitorii s\u0103 a\u015ftepte cu ner\u0103bdare lansarea urm\u0103torului sezon.<\/p>\n<p>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/storage0.dms.mpinteractiv.ro\/media\/401\/341\/5552\/20132413\/2\/03.jpg?height=349&amp;width=620\" style=\"width: 620px;height: 349px\" \/><\/p>\n<p>\n<img decoding=\"async\" alt=\"\" src=\"http:\/\/storage0.dms.mpinteractiv.ro\/media\/401\/341\/5552\/20132413\/4\/05.jpg?height=348&amp;width=620\" style=\"width: 620px;height: 348px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dup\u0103 aproape un an \u015fi jum\u0103tate de pandemie, pove\u015ftile apocaliptice din cinematografie nu mai par at\u00e2t de nerealiste ca \u00een trecut. Cum arat\u0103 \u00eens\u0103 o astfel de produc\u0163ie \u00een versiune ruseasc\u0103? R\u0103spunsul se afl\u0103 \u00een \u201eTo the lake\u201d. To the lake Regie: Pavel Kostomarov Distribu\u0163ie: Kirill K\u00e4ro, Maryana Spivak, Eldar Kalimulin, Natalya Zemtsova, Viktoriya Isakova [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7195,512],"tags":[10566,47977,174,46,9884,14847,6092,11605],"class_list":["post-195570","post","type-post","status-publish","format-standard","hentry","category-film","category-revista-bm","tag-cinematografie","tag-cronica-de-film","tag-festival","tag-film","tag-filme","tag-pandemie","tag-personaje","tag-virus"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/195570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=195570"}],"version-history":[{"count":0,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/195570\/revisions"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=195570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=195570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=195570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}