\nDe\u015fi am reg\u0103sit \u00een Charleston multe dintre problemele cinematografiei rom\u00e2ne\u015fti postdecembriste, Cre\u0163ulescu reu\u015fe\u015fte s\u0103 \u00ee\u015fi \u0163in\u0103 publicul captiv \u2013 \u00eentr-o poveste aparent banal\u0103 \u2013 prin interac\u0163iunea dintre protagoni\u015fti \u015fi dialogul excelent dintre ace\u015ftia. O s\u0103 fiu mai clar: Charleston include scene statice, lipsite de orice mobilitate a camerei de filmat, care pentru mine reprezint\u0103 un soi de marc\u0103 \u00eenregistrat\u0103 a filmului rom\u00e2nesc.<\/p>\n
\nSunt fie scene \u00een care dou\u0103 personaje poart\u0103 o discu\u0163ie prea lung\u0103, fie unele \u00een care camera se \u00eendreapt\u0103, lent, c\u0103tre o anumit\u0103 imagine sau situa\u0163ie. Nu sunt un mare fan, de\u015fi tehnica e des folosit\u0103 \u015fi \u00een alte \u0163\u0103ri cu o bogat\u0103 cultur\u0103 cinematografic\u0103; cel mai bun exemplu \u00een acest sens e dat de filmele ruse\u015fti. Poate e doar o coinciden\u0163\u0103, dar \u015fi la cinea\u015ftii ru\u015fi tineri am v\u0103zut \u2013 mai ales \u00een cadrul scurtmetrajelor \u2013 o tendin\u0163\u0103 c\u0103tre un stil regizoral mult mai dinamic, a\u015fa cum se \u00eent\u00e2mpl\u0103 \u015fi \u00een cazul noii genera\u0163ii de profesioni\u015fti rom\u00e2ni.<\/p>\n
\n\u015ei Andrei Cre\u0163ulescu e un regizor t\u00e2n\u0103r, iar filmul e dovad\u0103 a curajului s\u0103u \u015fi a dorin\u0163ei de a experimenta. Fiind primul s\u0103u lungmetraj, cred c\u0103 ne putem a\u015ftepta la lucruri bune din partea sa \u00een anii ce vin. \u00cen concluzia celor de mai sus, Charleston ilustreaz\u0103 perfect momentul de tranzi\u0163ie a filmului rom\u00e2nesc c\u0103tre o form\u0103 mult mai dinamic\u0103, mai comercial\u0103 (lua\u0163i \u00eens\u0103 termenul \u00eentr-un mod pozitiv) \u015fi care ar putea aduce oamenii \u00eentr-un num\u0103r mult mai mare \u00een s\u0103lile de cinema.<\/p>\n
\nPavlu, pentru mine unul dintre cei mai talenta\u0163i actori ai genera\u0163iei sale, joac\u0103 aproape de perfec\u0163iune; el reu\u015fe\u015fte s\u0103 transmit\u0103 spectatorului sentimente contradictorii, de la lehamite \u015fi resemnare la ur\u0103 \u015fi, \u00een cele din urm\u0103, acceptare.<\/p>\n
\nDe remarcat \u00een Charleston este \u015fi muzica, meritul revenindu-i aici lui Massimiliano Nardulli. Am num\u0103rat cel pu\u0163in 10 persoane care \u00eencercau, \u00een timpul vizion\u0103rii, s\u0103 identifice melodiile de pe coloana sonor\u0103.<\/p>\n
\nPovestea din Charleston nu e una complicat\u0103, dar rela\u0163ia dintre personaje \u00eei d\u0103 o anume profunzime. Vorbim de o aventur\u0103 \u00een trei, dar una \u00een care facem cuno\u015ftin\u0163\u0103 doar cu dou\u0103 personaje; nu vreau s\u0103 v\u0103 r\u0103pesc pl\u0103cerea de a fi surprin\u015fi, a\u015fa c\u0103 v\u0103 las s\u0103 descoperi\u0163i detaliile \u00een sala de cinema.<\/p>\n
\nAr mai fi multe de spus despre Charleston \u015fi despre noua er\u0103 a filmului rom\u00e2nesc \u00een general, pentru c\u0103 eu cred c\u0103 industria trece prin transform\u0103ri profunde, dar \u00eenchei cu recomandarea de a vedea Charleston pe marele ecran. E timpul s\u0103 acord\u0103m \u015fanse \u015fi produc\u0163iilor locale, care \u00een ciuda bugetelor reduse pot oferi o experien\u0163\u0103 cinematografic\u0103 mult mai satisf\u0103c\u0103toare dec\u00e2t blockbusterele americane pentru care pl\u0103tim, s\u0103pt\u0103m\u00e2n\u0103 de s\u0103pt\u0103m\u00e2n\u0103, bilet de intrare \u00een sala de cinema.<\/p>\n
\nNota: 8\/10<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Primul lungmetraj al lui Andrei Cre\u0163ulescu aduce o poveste dramatic\u0103, spus\u0103 \u00eens\u0103 cu mult umor prin vocea actorilor \u015eerban Pavlu \u015fi Radu Iacoban. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[510],"tags":[12944,9936,10566,69,46,27434,6092,8932,484,8690,80,86,26185,19707,26356,13285],"class_list":["post-162020","post","type-post","status-publish","format-standard","hentry","category-actualitate","tag-actori","tag-cinema","tag-cinematografie","tag-dialog","tag-film","tag-lungmetraj","tag-personaje","tag-poveste","tag-probleme","tag-public","tag-refuz","tag-reusita","tag-sala","tag-timp","tag-umor","tag-voce"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/162020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=162020"}],"version-history":[{"count":0,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/162020\/revisions"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=162020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=162020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=162020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}