\nDespre ce este vorba: dup\u0103 c\u00e2teva misiuni mai pu\u0163in reu\u015fite, bodyguardul Michael Bryce (Reynolds) este angajat pentru a transporta un martor-cheie pe nume Darius Kincaid (care se \u00eent\u00e2mpl\u0103 s\u0103 fie \u015fi un criminal notoriu, interpretat de Samuel L. Jackson) de la Londra la Amsterdam. Pericolele a\u015fteapt\u0103 \u00eens\u0103 la tot pasul, iar cei doi trebuie s\u0103 \u201dnavigheze\u201e traseul \u00een siguran\u0163\u0103. F\u0103r\u0103 prea multe filme la activ, regizorul Patrick Hughes nu pare s\u0103 aib\u0103 ca punct forte zona tehnic\u0103; cu toate acestea, se descurc\u0103 destul de bine cu prezentarea ambelor personaje principale, cre\u00e2nd o anumit\u0103 leg\u0103tur\u0103 – slab\u0103, ce-i drept – \u00eentre protagoni\u015fti \u015fi spectatori. Scenele de ac\u0163iune sunt bine executate, chiar dac\u0103 efectele speciale sunt de multe ori folosite \u00een exces. Asta face, de altfel, diferen\u0163a \u00eentre regizori: dac\u0103 ne g\u00e2ndim la modul \u00een care George Miller (regizorul seriei Mad Max) abordeaz\u0103 scenele explozive, nu prea exist\u0103 termen de compara\u0163ie cu ceea ce a improvizat Hughes.<\/p>\n
\nO alt\u0103 problem\u0103 pe care am remarcat-o e prezen\u0163a continu\u0103 a efectului de blur: multe din obiectele din spate se v\u0103d \u00eence\u0163o\u015fat, pentru a scoate \u00een eviden\u0163\u0103 imaginea din prim-plan. E o tehnic\u0103 ce merge folosit\u0103 de c\u00e2teva ori, \u00een momentele importante ale filmului, dar nu tot timpul. Nici ritmul nu e unul foarte alert: prima parte a filmului dezvolt\u0103 povestea \u015fi o tot dezvolt\u0103. De-abia \u00een partea a doua, c\u00e2nd lucrurile se deruleaz\u0103 pu\u0163in mai repede, putem spune c\u0103 urm\u0103rim un film de ac\u0163iune. Prea pu\u0163in \u015fi prea t\u00e2rziu.<\/p>\n
\nDincolo de toate criticile, ceea ce \u0163ine filmul \u00een via\u0163\u0103 e combina\u0163ia dintre Jackson \u015fi Reynolds, care dep\u0103\u015fesc schema de poli\u0163ist bun – poli\u0163ist r\u0103u \u015fi prefer\u0103 o interpretare sincer\u0103, adaptat\u0103 scenariului oarecum simplist. Ve\u0163i mai reg\u0103si \u00een film actori precum Gary Oldman, Alan McKenna sau Salma Hayek; sincer, nu prea \u00een\u0163eleg cum au acceptat to\u0163i s\u0103 joace \u00een The Hitman\u2019s Bodyguard. Probabil c\u0103 toate scenariile bune de la Hollywood au fost cump\u0103rate de HBO.<\/p>\n
\n\u00cen concluzie, The Hitman\u2019s Bodyguard e un film care nu va r\u0103m\u00e2ne \u00een memoria cinefililor; e o produc\u0163ie u\u015foar\u0103, de var\u0103, potrivit\u0103 pentru o zi de duminic\u0103 atunci c\u00e2nd ave\u0163i de pierdut dou\u0103 ore.<\/p>\n
\nNota: 6\/10<\/strong><\/p>\n<\/div>\n \n <\/p>\n","protected":false},"excerpt":{"rendered":" Nu e o oper\u0103 de art\u0103 sau vreun film care s\u0103 te pun\u0103 pe g\u00e2nduri, ci mai cur\u00e2nd o \u00eencercare de blockbuster de var\u0103. Produc\u0103torilor le-a ie\u015fit \u00eens\u0103 doar par\u0163ial realizarea acesteia: chiar dac\u0103 The Hitman\u2019s Bodyguard a de\u0163inut timp de dou\u0103 weekenduri prima pozi\u0163ie, a f\u0103cut-o cu \u00eencas\u0103ri de aproximativ 10 milioane de euro. Contra unui buget de 30 de milioane, rezultatul este totu\u015fi unul modest.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7195],"tags":[5634,18255,6277,74,33780,15646,46,13688,8312,10884,11742,22479,7147,32991,80,16026,19707,13141,308],"class_list":["post-151935","post","type-post","status-publish","format-standard","hentry","category-film","tag-arta","tag-asteptare","tag-bodyguard","tag-buget","tag-cronica","tag-detinere","tag-film","tag-iesire","tag-incasari","tag-incercare","tag-opera","tag-pozitie","tag-producatori","tag-realizare","tag-refuz","tag-rezultat","tag-timp","tag-vara","tag-weekend"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/151935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=151935"}],"version-history":[{"count":0,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/151935\/revisions"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=151935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=151935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=151935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}