{"id":132410,"date":"2016-04-09T09:00:00","date_gmt":"2016-04-09T09:00:00","guid":{"rendered":"https:\/\/bm.dev.synology.me\/?p=132410"},"modified":"2016-04-09T09:00:00","modified_gmt":"2016-04-09T09:00:00","slug":"scriitorul-care-a-fost-interzis-in-birourile-din-oslo","status":"publish","type":"post","link":"https:\/\/bm.dev.synology.me\/?p=132410","title":{"rendered":"Scriitorul care a fost interzis \u00een birourile din Oslo"},"content":{"rendered":"

\nC\u00e2nd cei de la editur\u0103 mi-au trimis pachetul, am deschis la nimereal\u0103 cartea lui Karl Uve Knausgaard \u015fi am citit urm\u0103toarele: \u201e\u00cel \u00een\u0163eleg foarte bine pe Sartre de ce lua amfetamin\u0103, a spus. Tr\u0103ie\u015fti la intensitate maxim\u0103, realizezi mai multe, arzi. Nu-i a\u015fa? Dar cel mai consecvent dintre ei a fost Mishima. \u00centotdeauna revin la el. Avea patruzeci \u015fi cinci de ani c\u00e2nd \u015fi-a luat via\u0163a. A fost consecvent, eroul trebuia s\u0103 fie ar\u0103tos. Nu putea fi b\u0103tr\u00e2n. \u015ei Junger, care a mers \u00een direc\u0163ia cealalt\u0103. \u00cen ziua c\u00e2nd \u00eemplinea o sut\u0103 de ani, bea coniac \u015fi fuma trabucuri, cu mintea brici. E vorba de for\u0163\u0103. Singurul luru care m\u0103 intereseaz\u0103. For\u0163\u0103, curaj, voin\u0163\u0103. Inteligen\u0163\u0103? Nu. Cred c\u0103 inteligen\u0163\u0103 po\u0163i s\u0103 cape\u0163i, dac\u0103 vrei. Nu e important\u0103, nu e interesant\u0103… Via\u0163a mea e at\u00e2t de m\u0103runt\u0103! \u015ei inamicii mei sunt at\u00e2t de m\u0103run\u0163i! Nu merit\u0103 s\u0103-\u0163i irose\u015fti energia pe ei. Dar nu exist\u0103 nimic altceva. A\u015fa c\u0103 stau aici \u00een dormitor \u015fi m\u0103 zbat degeaba\u201c.<\/p>\n

\nNu \u015ftiu asupra altora, dar vorbele astea, care nu sunt ale personajului principal din \u201eLupta mea\u201c, au o semnifica\u0163ie pentru mine; vin dintr-o genera\u0163ie care a luat via\u0163a \u00een piept, a schimbat dou\u0103 regimuri \u015fi s-a sacrificat pentru ambele, genera\u0163ie care a dat lumii muzic\u0103, cinematografie, tablouri \u015fi literatur\u0103. A avut for\u0163\u0103. \u015ei a f\u0103cut asta f\u0103r\u0103 s\u0103 se holbeze la ecrane, \u015fi spun asta f\u0103r\u0103 vreo inten\u0163ie peiorativ\u0103, dar a deschis calea pentru ecrane, \u015fi spun asta cu o oarecare triste\u0163e. \u015ei l-am sim\u0163it aproape pe Uve Knausgaard.<\/p>\n

\n\u00cen tinere\u0163ea mea se vorbea intens de romanul sud-american, de grupul de scriitori care timp de c\u00e2teva decenii, de la mijlocul veacului trecut p\u00e2n\u0103 spre sf\u00e2r\u015fitul acestuia, au \u0163inut prima pagin\u0103 a literaturii mondiale. Acum romanul nordic mi se pare a fi la putere, de la scrierile cu tent\u0103 poli\u0163ist\u0103 la literatura pur\u0103. Iar ceea ce am g\u0103sit la Knausgaard confirm\u0103 \u015fi sus\u0163ine respectiva ascensiune. Karl Uve Knausgaard a sim\u0163it, undeva prin 2006 – 2007, c\u0103 are o problem\u0103 cu fic\u0163iunea, c\u0103 un caracter sau mai multe imaginate \u00eei provoac\u0103 un soi de r\u0103u fizic.<\/p>\n

\nSolu\u0163ia sa au fost 3.600 de pagini, grupate \u00een 6 volume, publicate \u00eentre 2009 \u015fi 2011 sub numele \u201eLupta mea\u201c – \u201eMin Kamp\u201c \u00een norvegian\u0103, o apropiere periculoas\u0103 de titlul operei de c\u0103p\u0103t\u00e2i a lui Adolf Hitler, \u201eMein Kampf\u201c; o relatare \u00een \u015fase p\u0103r\u0163i a vie\u0163ii \u015fi experien\u0163elor sale personale, scrise \u00eentr-o manier\u0103 direct\u0103, puternic\u0103 \u015fi sensibil\u0103. Faptul c\u0103 s-au v\u00e2ndut jum\u0103tate de milion de c\u0103r\u0163i \u00een \u00eentreaga Norvegie m\u0103 face s\u0103 cred c\u0103 oamenii au f\u0103cut cuvenita distinc\u0163ie \u00eentre Kamp \u015fi Kampf, \u00eentre lupta cotidian\u0103 a insului din clasa mijlocie, inteligent dar cumva nesigur pe el, \u015fi delirul na\u0163ional-socialist al fostului lider nazist. \u00cen\u0163eleg c\u0103 autorul a \u0163inut s\u0103 l\u0103mureasc\u0103 \u015fi acest aspect \u015fi a scris un eseu de 400 de pagini despre nazism \u015fi ideile care \u00eel c\u0103l\u0103uzesc pe uciga\u015ful Anders Breivik la finalul celui de-al \u015faselea volum.<\/p>\n

\n\"\"<\/p>\n

\nOricum, ideea este c\u0103 scrierile lui Karl Uve Knausgaard au prins \u00een a\u015fa m\u0103sur\u0103 \u00eenc\u00e2t birourile din Oslo au fost nevoite s\u0103 declare, \u00een 2009, \u201ezile f\u0103r\u0103 Knausgaard\u201c, c\u00e2nd angaja\u0163ilor nu le era permis s\u0103 vorbeasc\u0103 despre scriitor atunci c\u00e2nd se \u00eent\u00e2lneau la distribuitorul de ap\u0103. \u015ei este acesta cel mai m\u0103runt detaliu dintr-o \u0163es\u0103tur\u0103 de fapte care au \u00eenso\u0163it apari\u0163ia c\u0103r\u0163ilor \u00een Norvegia, fapte care au \u00eenceput cu demersurile familiei scriitorului de a opri publicarea c\u0103r\u0163ii p\u00e2n\u0103 la o isterie de pres\u0103 care a intervievat nu numai pe cei ce au ap\u0103rut \u00een carte, ci \u015fi pe cei care au rela\u0163ionat cu cei ce au devenit personaje. Acest al doilea volum ap\u0103rut \u00een rom\u00e2ne\u015fte se subintituleaz\u0103 \u201e<\/p>\n

\nUn b\u0103rbat \u00eendr\u0103gostit\u201c \u015fi descrie istoria celei de-a doua c\u0103snicii a lui Knausgaard, o abordare sincer\u0103, curat\u0103 \u00een \u00eemb\u00e2cseala ei. \u015ei s\u0103 nu uit\u0103m for\u0163a, desigur. A\u015fa c\u0103 zic: bucura\u0163i-v\u0103 de Knausgaard \u015fi mai l\u0103sa\u0163i un pic ecranele alea.<\/p>\n","protected":false},"excerpt":{"rendered":"

C\u00e2nd cei de la editur\u0103 mi-au trimis pachetul, am deschis la nimereal\u0103 cartea lui Karl Uve Knausgaard \u015fi am citit urm\u0103toarele: \u201e\u00cel \u00een\u0163eleg foarte bine pe Sartre de ce lua amfetamin\u0103, a spus. Tr\u0103ie\u015fti la intensitate maxim\u0103, realizezi mai multe, arzi. Nu-i a\u015fa? Dar cel mai consecvent dintre ei a fost Mishima. \u00centotdeauna revin la […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7194],"tags":[7260,7193,83,7711,32861,458,12806,21222,9967,6281,383,17702,80,22794,231],"class_list":["post-132410","post","type-post","status-publish","format-standard","hentry","category-carte","tag-birouri","tag-carte","tag-deschidere","tag-editura","tag-fortare","tag-intelegere","tag-interzicere","tag-lectura","tag-literatura","tag-lupta","tag-norvegia","tag-oslo","tag-refuz","tag-scriitor","tag-viata"],"_links":{"self":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/132410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132410"}],"version-history":[{"count":0,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=\/wp\/v2\/posts\/132410\/revisions"}],"wp:attachment":[{"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bm.dev.synology.me\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}